![]() This novel theoretical approach and chromatic experience informed the creation of the large series of Metaesquemas. He believed that color has its own independent spatial and temporal dimensions, such that color could be “liberated into space,” metamorphosing into its own body, thus going beyond pictorial representation. Furthermore, one of the fundamental aspects of his body of work was his lifelong preoccupation with the function of color. The craftsmanship of his works is meticulous and rigorously planned, and his execution of materials and techniques is extremely sophisticated. Instead of making political oppression the explicit subject of his art, Oiticica conceived ways of making art that implicitly conveyed his opinions by incorporating the direct participation of audiences, thus injecting the element of subjectivity into his art.ĭespite this unconventional approach to art, one must not forget that Oiticica was a consummate master of material. It’s essential to understand that in the years that followed his indoctrination within Brazil’s art scene, Oiticica was working as a visual artist within a radically challenging political situation in Brazil, living under the authoritarian and violent military regime of 1964-1985. Ramírez, Hélio Oiticica – The Body of Colour, p. Oiticica himself was never interested in a traditional career in art rather, he had quite a radical position whereby he rarely worked with dealers or sold his work, as he believed that the “function of art should be in an increasingly reified world.” (M.C. This included encouraging his students not only to study of the nature of color in depth, but also to experiment with textures and techniques in order to create their own visual language. Ramírez, Hélio Oiticica – The Body of Colour, The Museum of Fine Arts Houston, 2007, p. Serpa’s unorthodox pedagogical approach focused on his students achieving a “language of their own, genuine in comparison to others and to the past one that might become a language of the future” as aptly stated by Serpa himself ( M.C. Oiticica’s background was an unconventional one at many levels, starting with his apprenticeship in 1954 to the Rio de Janeiro based Concrete artist, Ivan Serpa, who fervently advocated abstract art and with whom Oiticica developed a very close friendship. Milton Dacosta, Adriana Varejao, Hercules Barsotti, Lygia Clark, Mira Schendel, Candido Portinari, Willys de Castro, Gego, Alejandro Otero, Arnaldo Roche, Sergio Camargo, Beatriz Milhazes, Gregorio Vardanega, Tomas Sanchez, Joaquin Torres-Garcia, Alfredo Volpi, Carmen Herrera, Enio Iommi, Gyula Kosice, Anna Maria Maiolino, Leon Ferrari, Luis Tomasello, Eduardo Mac Entyre, Alfredo Jaar There are 24 similar (related) artists for Helio Oiticica available: Helio Oiticica has 0 artist signature examples available in our database. askART lists Helio Oiticica in 0 of its research Essays. ![]() Galleries and art dealers listing works of art by Helio Oiticica as either "Wanted" or "For Sale" There are 0Īrtworks for sale on our website by galleries and art dealers askART's database currently holds 39 auction lots for Helio Oiticica (of whichĢ7 auction records sold and 0 are upcoming at auction.)Īrtist artworks for sale and wanted. Oiticica’s background was an unconventional one at many This phenomenal series not only allows the viewer an insight into the artist’s uniquely creative oeuvre, it also exemplifies his extraordinary contribution to the world of contemporary art. The artists work, Metaesquema (1958), belongs to an early and pivotal series of gouaches that the artist created between 19. ![]() The artist produced a body of work that evinces a myriad of conceptual approaches, styles and techniques of limitless originality and experimentation. ![]() Oiticica, whose untimely death in 1980, tragically cut short his remarkable artistic production, will finally be having a major retrospective at the Carnegie Museum of Art in Pittsburgh later this year that will then travel to Whitney Museum of American Art and The Art Institute of Chicago. He is arguably one of the most innovative creators of the second half of the 20th century. Helio Oiticica was a Brazilian artist born in 1937. ![]() Helio Oiticica is known for Neo-concrete movement painting and sculpture. Helio Oiticica (1937 - 1980) was active/lived in Brazil. ![]()
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